After 30 million albums sold, 13 No. 1 jazz albums in the United States, and a film, television and music career spanning three decades, Harry Connick, Jr. returns with a new sound, new label home and new record, True Love: A Celebration of Cole Porter.
Focused exclusively on the songs of Cole Porter and his Great American Songbook, the sensational recording demonstrates Connick’s multitude of talents as pianist, singer, arranger, orchestrator and conductor, breathing new life into popular tunes including “Just One of Those Things,” “Anything Goes” and “You Do Something To Me.”
Welcome to the Vault is a Career Spanning 3 CD + DVD Collection containing 52 audio tracks and 21 performances on DVD - With 38 previously unreleased recordings, including 5 compositions that have never been heard before, and featuring alternate versions of classic songs, live performances and more, all housed in a 100 page hard bound book of Steve's personal photos, with a 9,000 word essay by David Fricke. The DVD contains 21 live performances including rare footage from the 1967 Monterey Pop Festival, Don Kirshner's Rock Concert in 1973, ABC In Concert 1974, a 1970 concert from the Fillmore West filmed for Dutch TV, Pine Knob Michigan in 1982, Steve and Les Paul at Fat Tuesdays (1990) and Austin City Limits in 2011. Plus the deluxe set includes 10 Guitar picks with Steve's Pegasus logo, and an authentic backstage pass from the Steve Miller vault.
Philadelphia-based punk band, The Menzingers are set to release their sixth studio album, Hello Exile. Produced by Will Yip (Title Fight, Quicksand), the album is the follow-up to the band’s 2017 critically acclaimed release After The Party.
Since forming as teenagers in 2006, The Menzingers have shown their strength as rough-and-tumble storytellers, turning out songs equally rooted in frenetic energy and lifelike detail. On their new album Hello Exile, the band take their lyrical narrative to a whole new level and share their reflections on moments from the past and present: high-school hellraising, troubled relationships, aging and alcohol and political ennui. And while their songs often reveal certain painful truths, Hello Exile ultimately maintains the irre- pressible spirit that’s always defined the band.
The Menzingers are: singer/guitarists Greg Barnett and Tom May, bassist Eric Keen, and drummer Joe Godino.
This limited edition Deluxe vinyl box set features all 40 tracks from the Super Deluxe collection on three 180-gram vinyl LPs. The album’s new stereo mix LP is packaged in a faithfully replicated sleeve, with the two Sessions LPs paired in their own jacket, presented with a four-page insert in a lift-top box. Giles Martin, working with Sam Okell, from the original eight-track session tapes, was guided by the album’s original mix supervised by his father, George Martin.
Genre-bending band Whiskey Myers have played nearly 2,000 live shows since their emergence in 2008 and have sold out more than 115 headlining shows in the last year alone. As Esquire proclaims, "Whiskey Myers are the real damn deal." USA Today describes the band led by frontman Cody Cannon as "a riff-heavy blend of Southern rock and gritty country that has earned comparisons to the Allman Brothers Band and Led Zeppelin," with Rolling Stone noting "it's the seminal combination of twang and crunchy rock & roll guitars that hits a perfect sweet spot." Their most recent album, Mud, reached No. 1 on the iTunes country chart with single "Stone" hitting Top 10 all genre and their fifth studio album, which they self-produced for the first time, is set for release this fall. Whiskey Myers was featured in Paramount Network's new Kevin Costner hit show "Yellowstone" with synced songs throughout season one as well as an appearance by the band in episode four as part of the storyline, with the band set to return with additional synced songs in season two.
Platinum-selling artist Jon Pardi announced his highly-anticipated new album, tour and single titled Heartache Medication. Set for release on September 27, Pardi s upcoming album, Heartache Medication, includes the album s lead single and title track Co-written by Pardi, Barry Dean and Natalie Hemby, Pardi revealed the new single showcases a taste of what is to come on the next record exclusively to the Associated Press, noting the songs lift you up. They put you in a higher place. "The single 'Heartache Medication' has an 80 s George Strait 'Fool Hearted Memory' feel to it, and is something people can dance to, said Pardi. That s something I really wanted for this album. There really are no sad songs on this record-it covers a range of subjects, but is ultimately about moving on, and having a good time. Recognized for his "state-of-the-art blend of traditional instrumentation and progressive grooves that points to country's future (Rolling Stone) and as a leader among a growing number of artists bringing back fiddle, steel and twang while still finding ways to freshen the sound (People), Pardi again serves as a co-producer on the new album, Heartache Medication. Heartache Medication is the follow up to Pardi s co-produced Platinum-selling breakthrough #1 album California Sunrise, which featured Multi-Platinum, chart-topping hits including Dirt on My Boots, Head Over Boots, Heartache on the Dancefloor and Night Shift." The CMA and ACM Award-winner also revealed plans for his HEARTACHE MEDICATION TOUR
In 1964, the National Film Board of Canada asked John Coltrane to record the soundtrack for a French-language film titled “Le chat dans le sac” (“The Cat in the Bag”). In June of that year, Coltrane’s ‘Classic Quartet’ entered Rudy Van Gelder’s studio and recorded five previously-recorded Coltrane originals. For many years, viewers of the film who recognized the music thought that they were listening to the original recordings, though in fact they were new and had never been heard.
On his new album, ‘Ideal Man,’ Andrew Combs worked with producer/engineer Sam Cohen (Kevin Morby, Benjamin Booker)to achieve a more raw, direct sound. The collection was captured live in Cohen’s Brooklyn studio, with compact arrangements fueled by taut, elastic grooves. While Combs may be best known as a singer/songwriter in the classic 1970’s Laurel Canyon sense, he proves the true versatility of his work here, often setting his acoustic aside in favor of atmospheric synthesizers and distorted electric guitars. Combs worked with some of his favorite writers on the album, including Dylan LeBlanc, Jeff Trott, Joe Henry, and Kenny Childers, but the stories he tells here are deeply personal and remarkably vulnerable.
A sense of danger and violence underlies the entire record, much as it does the entire country, but it only serves to make the moments of beauty and connection here that much more poignant. Life is short and the clock is ticking. Andrew Combs doesn’t plan to waste a second.
Sinematic is an enthralling set of songs that explore the darker corridors of human nature. The 13 song collection, is his first since 2011’s How To Become Clairvoyant and themes sprang from his recent film scoring for Martin Scorsese’s organized crime pic, The Irishman and his forthcoming documentary Once Were Brothers: Robbie Robertson and The Band. The album features guest stars such as Van Morrison, Glen Hansard, and many more.
2019 release. Guaxe is a musical duo that was formed spontaneously after the encounter of two Brazilian psych rockers Dino Almeida (Boogarins) and Pedro Bonifrate (Supercordas). Both members have guested on each others' recordings and had shared the stage at a few festivals together before Supercordas' dissolution in 2016. Over recent years, Dino has paid Bonifrate and his family many short visits to his home in Paraty in coastal Brazil. During these getaways, the Guaxe album was written and recorded - with 4-track machines, computers, cranky gear, 10-string guitars, children playing, and a rainforest full of lizards all around the house.
Also check out Dino Almeida's other band Boogarins who are currently on tour following the release of their recent album Sombrou Dúvida which is available now on CD & LP
i,i is Bon Iver's most expansive, joyful and generous album to date. If 'For Emma, Forever Ago was the crisp, heart-strung isolation of a northern Winter; Bon Iver the rise and whirr of burgeoning Spring; and '22, A Million', a blistering, crazy energy Summer record, i,i completes the cycle: a fall record; Autumn-colored, ruminative, steeped. The autumn of Bon Iver is a celebration of self acceptance and gratitude, bolstered by community and delivering the bounty of an infinite American music. The sales and accolades are well-known multiple Gold albums, multiple Grammys, chart-topping collaborations and festival headlines. But even more significantly, with each release Bon Iver quietly shifts the state of modern music. From the boundaries of folk, to the rules of autotune, to production work for others, Bon Iver s fingerprint finds its way across the mainstream every time. Vernon has always been a master collaborator, and on i,i that desire becomes maximal, with guests ranging from Moses Sumney and Bruce Hornsby to Wye Oak's Jenn Wasner and the Brooklyn Youth Chorus. Here, the music and band, and themes, and creative space are bigger than ever.
Olivia Jean is back on the beat with her second full-length (and first self-produced) album, Night Owl, due out August 30, 2019 on Third Man Records. The album mines the shared spaces between bubblegum, beach pop undercurrents and fuzzed out garage a la B-52s and Dick Dale, lyrically diving headfirst into the frustrations of perfectionism, mental barriers, obsession and modern heartache. Unlike Bathtub Love Killings on which we found Olivia playing every instrument on the vast majority of the album, Night Owl is decidedly more collaborative, with a studio band of buddies backing up her up.
Night Owl is exactly what it sounds like: the wee-hour workings of an artist engrossed in a project, pushing against omnipresent forces of fear and judgment to do exactly what you’ve always wanted to do and be exactly what you’ve known you are. It's candy-coated and also bittersweet, fully aware and also full-hearted.
Seratones aptly named sophomore release POWER is described by poet and author Hannif Abdurraquib as a glorious, swelling album[a] sonic monument, and precise lyrical tapestry. AJ Haynes bends her gloriously malleable voice seamlessly around the temples of rock, and soul, and funk. All of them, unfurling in waves of keys, staccato percussion and wailing curves of guitar. Based in Shreveport, Louisiana, Haynes and founding members, drummer Jesse Gabriel and bassist Adam Davis, form the kind of laser-focused rhythm section that you only get from bandmates who've been playing together since they were teenagers. New members Tyran Coker (keys) and Travis Stewart (guitar) bring a fresh dynamic to the band with interstellar soundscapes and entrancing melodies, all while maintaining the emotional edge and intensity from their acclaimed proto-punk debut record Get Gone.vPOWER exemplifies a true strength in vulnerability, a kaleidoscopic view into Haynes passions, hopes, and worries: from her love of poetry to her advocacy for Reproductive Justice and racial equity. Hard-learned lessons from lovers and intimate friends. The struggles to adapt and overcome. POWER is as much a statement as it is a question, a semiotic exploration of sound and Soul.
“How does brokenness walk? Or move through the world?” says guitarist/vocalist Carrie Brownstein about The Center Won’t Hold, Sleater-Kinney’s tenth studio album. “We’re always mixing the personal and the political but on this record, despite obviously thinking so much about politics, we were really thinking about the person – ourselves or versions of ourselves or iterations of depression or loneliness – in the middle of the chaos.” The Center Won’t Hold is Sleater-Kinney’s midnight record on the doomsday clock. After twenty-five years of legendary collaboration, rock’n’roll giants Brownstein, Corin Tucker, and Janet Weiss rise to meet the moment by digging deeper and sounding bigger than we’ve heard them yet. Here are intimate battle cries. Here are shattered songs for the shattered survivors. The Center Won’t Hold drops you into the world of catastrophe that touches on the election,” says guitarist/vocalist Tucker of the title track. “We’re not taking it easy on the audience. That song is meant to be really heavy and dark. And almost like a mission statement, at the end of that song, it’s like we’re finding our way out of that space by becoming a rock band.
Ride return with the 6th studio album of their career and their second since reforming in 2015 and signing to Wichita. As with their previous album, the highly acclaimed Weather Diaries, Erol Alkan was in the producers chair, whilst career-long collaborator Alan Moulder (with Caesar Edmunds) mixed the album. The albums title was inspired by one of the hobo code symbols once used by those who travelled the railroads of the US, and then found in the early artwork of Jean-Michel Basquiat. The phrase clearly resonates with the current state of the world politically and environmentally. This Is Not A Safe Place is arguably the Ride album with the broadest sonic palette thus far. You can hear sounds and styles that span their entire catalogue but, both musically and lyrically, this is clearly an album made by a band who love being back together and who are at the very top of their game.
Over the last decade, Drew Holcomb has established himself as one of Americana s freshest upstarts, building his following and critical appeal with every release, show, and entrepreneurial undertaking (like his curated Moon River Music Festival and Magnolia Record Club). For Holcomb, music is what helps us try to understand our place in a world full of equal parts chaos, confusion, love, and community, and Dragons is his reminder to all of us to keep fighting the good fight and to never give up. Produced by Cason Cooley (Ingrid Michelson, American Authors) Dragons features collaborations with Lori McKenna, Natalie Hemby, Sean McConnell, and Zach Williams of The Lone Bellow.
On August 16th, 2019, Eilen Jewell will release Gypsy on Signature Sounds. Described as one of Americana's most intriguing and creative voices (American Songwriter), Jewell has written 11 new songs for Gypsy and is calling it her favorite album yet: new sounds, old sounds, electric guitar-driven rockers, classic country, and tender ballads. Gypsy continues to solidify Jewell's reputation as one of the most distinctive and potent voices in the Americana world today.
Tootsie's Original Broadway Cast Recording is now available from Decca Broadway. The album preserves David Yazbek's Tony-nominated score and the performances of the original Broadway cast, led by Tony nominee Santino Fontana as Michael Dorsey.
New Vinyl: $21.98 Buy
Old Salt Union once again enlisted GRAMMY-winning banjoist and Compass co-founder Alison Brown to produce the follow-up to their self-titled Compass Records debut. The resulting album, WHERE THE DOGS DON't BITE, builds on this non-traditional stringband's varied musical backgrounds for a wildly entertaining, eclectic batch of songs. The quintet Ryan Murphy (banjo), Justin Wallace (mandolin), John Brighton (violin), Jesse Farrar (primary vocalist and bassist) and newest member Graham Curry (guitar) have continued to hone and develop their sound through relentless touring, cultivating a steadfast fanbase drawn to their high-energy shows. Coming from varied musical backgrounds, Old Salt Union's collective melting pot of styles and musical vocabularies informs their fresh approach to modern string band music and has helped to carve a unique niche for this Belleville, Illinois roots outfit. Farrar, nephew of Son Volt's Jay Farrar, kicks off the album with "God You Don't Need,' a hook laden ode to a relationship gone bad set against a tapestry of strings and an eerily compelling banjo melody. Label mate Bobby Osborne guests on "Tells Me So,' a nod to the bluegrass side of the band's musical sensibilities featuring a lead vocal by mandolinist Justin Wallace. Violinist Brighton delivers the gypsy-tinged instrumental "Johann's Breakdown,' which pulls from jazz and classical progressions, and Wallace delivers the haunting title track, "Where The Dogs Don't Bite.' The dark, but heartfelt song features triple-layered guitar harmonies, stacked vocals and a group sing-along that recalls last call at a corner pub in the rust belt, a fitting closing to this musically diverse and compelling release.
In the fall of 2018, pianist and bandleader Jon Batiste played a six-night residency at the historic Village Vanguard in downtown New York City. On August 2, Batiste will release selections from those nights entitled ‘Anatomy of Angels: Live at the Village Vanguard’ via Verve Records.
The selection for Anatomy of Angels is comprised mostly of Batiste’s own compositions, which range from bluesy (“Dusk Train To Doha”) to Coltrane-esque explorations (the titular track “Anatomy of Angels” and “Creative.”) In addition to his own works, Rachael Price from Lake Street Dive joins him for Ray Noble’s “The Very Thought Of You.” Batiste also arranged on one of the most famous works of his idol Thelonious Monk, “’Round Midnight.”